A comparison of the character 'I' (尒) from the inscription "Isaji-wang" (King Isaji)—found on a ring-pommel sword excavated from Geumgwanchong Tomb—with the "Eye of Horus" (specifically, half of the symbol) reveals a structure that converges toward the center. 금관총에서 출토된 환두대도(고리자루칼)의 '이사지왕(Isaji-wang)' 명문에 등장하는 '이(尒)' 자를 '호루스의 눈'(구체적으로는 해당 상징의 절반)과 비교해 보면, 중심부로 수렴하는 구조가 확인됩니다.
A comparison of the character 'I' (尒) from the inscription "Isaji-wang" (King Isaji)—found on a ring-pommel sword excavated from Geumgwanchong Tomb—with the "Eye of Horus" (specifically, half of the symbol) reveals a structure that converges toward the center. 금관총에서 출토된 환두대도(고리자루칼)의 '이사지왕(Isaji-wang)' 명문에 등장하는 '이(尒)' 자를 '호루스의 눈'(구체적으로는 해당 상징의 절반)과 비교해 보면, 중심부로 수렴하는 구조가 확인됩니다. When comparing the character '尒'—found in the 'Isaji-wang' inscription on the ring-pommel sword excavated from Geumgwanchong Tomb—with the 'Eye of Horus' (specifically, half of that symbol), a structure converging toward the center becomes apparent. Just as the top stroke (𠂉) of the character '尒' acts like a lid while the three-pronged strokes of the lower '小' component gather toward a central axis, the 'half-section' of the 'Eye of Horus' exhibits a visual flow that narrows and converges in a triangula...